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Milk JugWhen the milk started talking to him, Tim didn’t know how to respond.

“YOU SHOULDN’T EAT DAIRY! DAIRY PRODUCTS OF ANY KIND WILL KILL YOU, TIM. I AM ONLY TRYING TO HELP!”

He looked at the gallon jug of milk in his hand. He checked the expiration date: June 15, 2010. Still good. He tilted it back and forth slowly, as if it were a particularly delicate Christmas present, or maybe a bomb, and he felt something slide heavily within the milk.

With shocking force, the forms of two gnarled claws slammed against the plastic halfway down the jug. “YOU ALSO SHOULDN’T SHAKE MILK BEFORE SERVING! I AM ONLY TRYING TO HELP YOU … IDIOT!”

Tim screamed and half-dropped, half-threw the jug at the counter in front of him. It was two-thirds full, and so he couldn’t see the thing inside once it retreated back into the white murk. He could only see the disturbance of the milk itself, frothy and choppy in the jug, as the creature within resettled.

“W-w-what? Is … are you … I mean, what’s … ?” Tim was at a loss. How was he supposed to interact with a milk jug that shouted at him? “Have I gone insane?” he asked quietly.

“OH, FOR THE LOVE OF CHRIST!” the milk shouted. “NO, YOU HAVE NOT GONE INSANE! YOU ARE THE MOST BORINGLY SANE PERSON WHO HAS EVER LIVED! THAT IS WHY I AM HERE: BECAUSE YOU ARE A BORE! TO EVERYONE AND EVERYTHING. I AM HERE TO HELP. YOU CAN CALL ME REX.”

“Rex,” Tim said. “Okay. I’m … Tim.”

“I KNOW WHO YOU ARE! JESUS! I ALREADY SAID YOUR NAME NOT SIXTY SECONDS AGO! IDIOT! ARE YOU ALWAYS GOING TO MAKE IT THIS DIFFICULT FOR ME TO HELP YOU?”

“Well, I don’t–I mean, I’m not sure,” Tim said. “I didn’t even know I, you know, needed any help.”

“WHY WOULD I BE HERE IF YOU WEREN’T A MAN WITH PROBLEMS?” Rex said. “GET YOUR HEAD IN THE GAME, TIM! YOU NEED HELP, AND I AM HERE TO PROVIDE IT! TA-FUCKIN’-DA, THE DOCTOR IS IN, BITCH!”

Tim fidgeted. It was all so troubling. He stared at the jug, blinked, and chewed the edge of his thumbnail. “But,” he mumbled, his mouth full of dirty keratin, “what if I don’t, you know … want your help?”

The creature flung itself forward and its gray-brown, furry, cat-like face pressed against the plastic, pushing away the milk and revealing its brain-melting monstrosity.

“THEN WE ARE GOING TO HAVE PROBLEMS, TIM!” it screamed. “WE’RE GOING TO HAVE BIG, BIG PROBLEMS!”

And then Rex laughed a horrible, terrifying laugh, and it started to occur to Tim that maybe the fiendish creature wasn’t there to help him after all.

“POUR SOME HERSHEY’S IN HERE!” Rex said. “MAKE ME CHOCOLATE! THEN, AH-HAH-HAH-HAH-HAH, LET THE HELPING BEGIN!”

rainy roadDriving back was always the worst part for George. Laura always cried, and it wore on his nerves. That day, coming back from Portland, the rain was oppressive, gray, and suffocating in the summer heat. Trapped in the car with his sobbing wife, George struggled to find NPR’s Global News report interesting.

Peter and Sarah were in the back, playing on their game systems as was the usual. Laura was staring out the window with her finger in the middle of a book she had already confessed to him made her feel stupid. By the look of things, she hadn’t made it more than twenty pages into it. Not that he wanted to read it, anyway–it looked like something she’d heard about on The Daily Show.

There was definitely something unseemly about his wife’s infatuation with Jon Stewart. Buying books she never read was bad enough, but she’d taken three separate vacations to New York just to go to his show (a show which, if he had to be honest, George found more than a little tedious).

The Global News was over, and he hadn’t retained a single thing. Marketplace came on. Why did he always have to try and listen to things he didn’t really like? After all this time, who did he think he was kidding?

“Did you put that hold on the new Dan Brown?” he asked her.

“Ugh,” she replied. “You really want to read that?”

He shrugged. “I liked Angels and Demons.

“You have terrible taste.”

“Says the woman who never makes it more than thirty pages into anything,” he said. “Fine, though. Forget it. I’ll just buy it from the bookstore.”

She shook her head and defiantly reopened the book she’d been fingering for the whole ride. She lasted about four minutes.

She leaned her head back, closed her eyes, and sighed. “God,” she said, “do you ever wish you had a better brain?”

“All the time,” he said.

dark blackThe following day, we kept the shades drawn. Dim light crept around the edge of the yellow plastic. We cowered, our nerves still raw from the terror of the previous night, until Gretchen got too hungry to stand it anymore and went to the door.

I couldn’t shake the thought of the door rattling and cracking during the worst of the night’s gusts. None of us knew just how the phantoms worked, but they were in the wind somehow–we knew that much–and if the wind hit you, you’d be convulsing and transforming into a monster within seconds.

Gretchen moved the pale blue towel we’d used to block the crack between the floor and the bottom of the door. I didn’t like seeing the daylight there; I felt so vulnerable. If I could see out, they could get in.

Same with the windows. Those thin slivers of light worried me.

Gretchen looked back at us guiltily. “We have to find something to eat. We can’t just cower in here forever.”

Penny drew closer to me and pressed her mouth against my ribs.

“Just hurry,” I said.

Gretchen put her hand firmly on the brass knob.

We waited for her to open the door and face whatever was out there.

HahahaThe grass danced against the concrete side of the gas station in the bright, sharp afternoon sunlight. Merle stood beside his Mustang and smoked a Camel Wide. Frank was thinking about avoiding the bathroom entirely and shitting in the ditch beside the station.

“Come on, man, it’s just a fucking bathroom already!”

“You know how I feel about places like this! Remember Kansas? Remember that nightmare?”

“Whatever, man. We stopped because you said you had to go, so either go, or shit out here in the open. I really couldn’t give a rat’s ass which.”

Frank faced the restroom sign. The key, attached to a craggy, bent wire, which in turn was attached to a giant wooden block, labeled ‘Manly Key,’ was shaking in his hand.

Nearer the gas tanks, there were only a few eighteen-wheelers. Other motorists passed on the highway on the other side of a wide diamond of brown reeds.

Frank put the key in the door.

“Attaboy!” Merle said and pitched his cigarette to the ground. “Now make it snappy.”

Frank grabbed the handle and pulled back. He didn’t like anything about this seedy joint. He had legit concerns, he really did. Like, what was the place like when no one was in it? What kind of creepy-ass things crawled up out of the pipes when no one was looking? And hell, what of the bacteria, which loved dark and dank places? He figured that anything that was in the business of mutating would surely love to mutate away in such a place.

And people kept feeding it. Feeding it with their urine, their shit, their semen, their snot, and their blood. All of it into this rank den of germs that would then sit and stew, locked away until the next injection of disease-rich filth.

He turned on the light. There was a crowd standing in front of him in the nasty bathroom. It was all his family and friends.

“Surprise!” they all yelled, and Frank realized he’d forgotten his own birthday, yet again.

How to Train Your Dragon StubHow to Train Your Dragon is the second non-Shrek Dreamworks Animation film that I’ve enjoyed (the first was Kung Fu Panda). In both cases, I didn’t want to see the film based on the preview and went only due to good word of mouth. Well, let me now join the chorus of other voices and say that How to Train Your Dragon is a fun, easy-to-watch adventure that, while not revolutionary, represents another nice step into non-gimmicky storytelling for Dreamworks Animation that is delightfully free of Smashmouth songs and out-of-place pop-culture references.

The story is predictable but effective: A wimpy Viking boy, with the pejorative name of Hiccup (voiced by Jay Baruchel), flies in the face of his town’s dragon-slaughtering ways, secretly befriending a wounded Night Terror dragon–the most dangerous of all dragons and one not yet seen by human eyes. Hiccup is a bit of an inventor, and when he realizes the dragon needs new tail feathers in order to fly again, he fires up the kiln and builds a rig that soon has him flying his very own pet dragon. The dragon, which he names Toothless, needs Hiccup to fly; Hiccup needs Toothless to help him find a way toward more compassionate Viking/Dragon relations. Hijinks and culture clashes ensue, dragons are flown, and a lot of stuff ends up engulfed in flames.

So the story is pretty much a given from the first general characterizations. There’s a competent nod to the Chicks-Can-Kick-Ass-Too school of feminism in the character of Astrid (America Ferrera), who is the fiercest of the other children warriors and part-love-interest, part-competitor for Hiccup–but it’s all a little too easily unraveled. Astrid still ends up being cast into the role of support structure for the heroic, dragon-riding male. I think this dynamic was done much better recently in Kick-Ass, but I understand that this film is meant to be lighter in spirit. Not every movie has to have some sort of tragedy, but it would be nice if there were just a tiny bit more bite to this dragon fable. There’s a sort of uneven vibe to the danger, especially when the characters are training to fight dragons, that often left me confused: were the children actually risking their lives in practice, or did their teacher always have it under control? It’s perplexing, because I feel like there was both too much danger and not enough danger in the encounters with these fire-breathing creatures.

Where the film shines is in the gorgeous cinematography, which is often surprisingly artistic and witty. There’s a wonderful aerial battle in the final act that observers on the ground see as a lightning storm in the clouds, complete with blink-and-you’ll-miss-it shadows of warring dragons. Water, too, looks the best I’ve ever seen it look in a computer animated film. The flying scenes are effective, although I wanted more of them. Finally, I found myself remarking more than once at what a great, dynamic job the filmmakers did with Hiccup’s hair, which is reshaped in nicely authentic ways by his many flights.

My favorite visual, however, was Toothless, whose design was unique and successfully vacillated between intimidating and adorable. The dragon design in How to Train Your Dragon outdoes the dragon design in other recent attempts, such as Alice in Wonderland, or even Eragon, a film in which the dragons also unfortunately talked. There’s no talking here, which is welcome. Without the crutch of blathering conversation, the filmmakers adopt more purely cinematic storytelling techniques, which always draws me in. This film is not as good as Wall*E, but I like the dialogue-free beginning of that movie, and I like the dialogue-free scenes between Toothless and Hiccup here. Both films drew me into their stories with interesting scenes between two characters from different worlds. It’s a nice way to ground the film in some real heart before flying off into more effects-heavy wizardry.

3.5/5

How to Train Your Dragon, directed by Chris Sanders and Dean DeBlois. Written by William Davies, Peter Tolan, Sanders and DeBlois. Based on the book by Cressida Cowell. Running time: 98 minutes. Rated PG (for sequences of intense action, some scary images and brief mild language).

… But hold on, why did I go to see that movie this weekend?

Okay, so here’s a little sidenote that I feel compelled to add, so I hope you’ll spare me another paragraph or so.

Aspiring horror novelist though I may be, I’d like it noted that I went to see a fun kid’s adventure movie instead of the new remake of A Nightmare on Elm Street. I don’t approve of this remake mania, and I will not support it. How hard is it to come up with your own original mythology? I’m doing it. Why can’t these professionals do likewise? I dislike both the Saw and the Final Destination franchises, but at least they created their own gimmicks. So, please, can I get some more horror films that are 1.) not remakes, 2.) not vampire movies, and 3.) not zombie flicks.

Please? Anyone? Is it really that hard to come up with something that wants to eat people that you have to make go back to the freaking Wolfman? Until I’ve seen The Deerman, you aren’t trying hard enough!

The title translates to The Secret in Their Eyes, or so we’re told, because it’s actually a non-specific pronoun in Spanish. It translates just as well to ‘his eyes,’ ‘her eyes,’ or even ‘your eyes,’ if you like, and it’s a clever title, because the secret is passion itself, and the theme of the film is the secret passions of various people. One character at one point tells another that while you can change a lot of things about yourself, you’ll never be able to change your passion. It’s a good line, easily the best in the film, and it rings true.

Unfortunately, that’s more or less as far as my enjoyment of this film goes.

That this overrated Oscar-winner (Best Foreign Language Film, 2010) becomes a meditation on the different passions of a handful of people connected by the rape and murder of a young woman makes it a rather muddled affair. While thematically consistent, the secret love two characters have for each other seems a little beside the point in a film that’s really little more than a handsome police procedural. I found myself impatient with the pieces of the movie that didn’t seem to be very well connected to the main thrust of the plot, and I was impatient a lot. The movie felt long to me, and it’s because of all the tangential scenes used to beef up the movie’s self-important mission.

I also found myself wondering just how many mysteries end with reveals that incorporate copious redundant flashbacks to all the clues you may have missed if you don’t really like paying attention to what you’re watching. El Secreto de Sus Ojos ends with just such a sequence of repeated lines, and worse–some of the lines are repeated multiple times! I said multiple times! More than once! As in, multiple times!

Ay de mi. I do like to pay attention to what I watch, and so I found these scenes unnecessary and insulting.

If a story is properly constructed, I don’t think the audience will need such repetitive flashes. Work your exposition properly, writers, and stop it with the lazy recaps. I’m adding this to my rules for mystery films.

None of which is to mention that I saw the twist (if you can even call it that and respect yourself in the morning) coming a mile away. There is one malevolent detail that I loved about it that I didn’t see coming. I can’t spoil it for those that see this movie, but you’ll be able to guess it when you see it, I think. It’s quite mean, and it made the horror writer in me giggle.

There’s also a charged police interrogation scene in the middle of the film that plays like a dressed-up version of a scene you could see any day of the week on the dozens of primetime cop shows–apart from its graphic finale that would only make it suitable for HBO or Showtime. The writer/director of El Secreto is not someone I was familiar with, so, I confess, I looked him up on IMDb. I was shocked and a little horrified to find he has done extensive work on Law & Order: Special Victims Unit, Law & Order: Criminal Intent, and House: M.D. These are all shows I hate for their schlocky disingenuous nature (I am a devoted, passionate fan of The Wire, if that tells you anything at all), and while I feel like El Secreto isn’t that bad, it is similar in a lot of ways–it is just a touch classier and a smidge more thoughtful.

Chalk this one up to yet another overrated film from last year.

3/5

El Secreto de Sus Ojos, written and directed by Juan Jose Campanella. Based on the novel by Eduardo Sacheri. In Spanish with English subtitles. Running time: 129 minutes. Rated R (for a rape scene, violent images, some graphic nudity and language).

CityCheered by the quality of beer at the party, Paul took a sip of a nice IPA and decided to take his chances mingling.

A pod of people had gathered around a clean-cut, Rob Lowe-looking guy, standing in front of an empty fireplace, telling a story through copious references to technology.

“I didn’t have my BlackBerry, so I had to login to my mail using my iPhone. Have you ever tried that? Not using the mail app, but actually logging into a client you haven’t actually set up? It’s so slow if you don’t have the 3G enabled! I have to upgrade this summer when they release the iPhone OS4, because it’s just hellish using my first generation iPhone these days. It’s like I’m living in the Stone Age, although I did just finally order an iPad. I can’t wait to get it. I got a Kindle for Christmas, but I never use it. Our IT girl has an iPad, and she swears by it. I really think it’s the future.”

Wow, Paul thought. They’ve replaced that guy’s brain with advertisements.

He found an attractive girl who looked about twenty-five, laughing at something an old gentleman beside her had said while the two of them perused the table of expensive snacks. There were slices of peppercorn-encrusted salami, a wheel of brie, assorted crackers, a fruit plate, and an assortment of dips. Paul thought the salami looked good and took a few slices.

“I love this stuff,” he said.

The young brunette’s eyes immediately went to his gut. “And what do you do?”

He loved getting asked that before being asked his name. It was how he knew he was in New York City. “I’m a lumberjack,” he said. “What about you?”

“I work for a hedge fund.”

“Oh,” he said, and he smiled and walked off, realizing that he was judging everyone there even more harshly than they were judging him.

He took another long pull from the IPA. It really tasted delicious on top of all that peppercorn salami.


Bridge and MetalIt wasn’t so bad, being in a cage with a monkey. The monkey was curious, but as far as roommates went he was very considerate. There was very little feces-flinging, and he was as decent a listener as Meredith had found.

Outside, it was raining, and their only visitor was a lone, ugly child with blond hair and a sour face, who wore a blue raincoat and sucked a red lollipop, sucking it right at them, staring, waiting, and yet unimpressed.

Eventually, the little girl’s mother called out her name, and the girl vanished, running to join the rest of the crowd eating sausages beneath the protective shield of a nearby bridge.

“I certainly never thought this would happen,” Meredith said. The monkey was picking at his fur in the corner away from where he’d shat a moment ago. “I don’t suppose you did, either,” she said.

The monkey looked up.

“No, I thought not,” she said. “No one expects this. Not in a million years, but life is strange.”

The monkey bared his teeth at her. She took this as him trying to smile, trying to cheer her up.

“I know, but you never expect this when you’re just going along, doing what the boss tells you to do, you know? They definitely don’t prepare you for this in college.”

The money laughed.

“Right?” she said. “I mean … I thought this was going to be a good job. Now look at me: in a cage, smelling monkey shit all day.”

He turned away, and she thought perhaps she’d gone too far. She didn’t want to insult him. He really wasn’t all that bad.

So she added: “Well, I suppose it could always be worse, right? I could’ve been a corporate lawyer.”

Faht came in, and everyone was laughing.

Ok, so maybe the purple pimp hat was a bad idea, he thought. The trouble with John Faht was that not only was he intensely serious about silly things, but he had the ability to see himself behaving this way and know just how much he looked like an ass. One might wonder: If he could see all this, couldn’t he change? But no. No matter how much time went by, Faht stayed the same.

Oh, poor Faht. He was a truly miserable and lost soul.

But he walked into that conference room bravely, and took off the purple pimp hat and set it on the table with a smile for everyone who was there making fun of him. Yes, this was the life of John Faht. This was how it went, day in, day out.

Sometimes it seemed that everything was just one big Faht.

(… or, Why I’m Not Getting Off Roger Ebert’s Lawn)

Real avatars

Now, those are what I call avatars!

Roger Ebert, who posts on Twitter almost as often as Tila Tequila, still can’t help but seem like a bit of an old curmudgeon sometimes, and his crusty views never sound crustier than when it comes to his opinions on video games. A recent blog entry recently ignited fresh debate about whether video games can ever be art, and if it even matters.

Let me first deal with the pesky view that the whole debate is foolish. There are a lot of people who work on a lot of art, and, yes, it is insulting to tell them that what they are doing isn’t art. Such a claim brushes off their creations as inconsequential ephemera, and no one working hard at something wants to think that the finished work will be nothing more than tomorrow’s landfill filler. I wonder if it would bother Mr. Ebert to think of his reviews as little more than throwaway, parasitic advertisements, clinging to literary life like barnacles on the bottom of the more illustrious vessel of modern cinema. I wonder if he would take issue with the idea that what he does could never be art.

If I were him, I would definitely want to believe that movie reviews could be art, and I would do everything I could do to fight the perception that I was a vulture of the creative profession.

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