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Abraham Road Cover Art

Abraham Road Cover Art

Well, folks — it looks like I drank too much whiskey last night and hit the publish button on my new novella, Abraham Road. It’s now available exclusively on Amazon and will probably remain so for the next ninety days.

I think it’s great. I was trying to hold off and get it published in a real magazine somewhere, but … I couldn’t wait. It’s October. It’s scary story season.

Also, I love this book, and I couldn’t wait for people to read it. I keep saying it’s like what would happen if H. P. Lovecraft rewrote Of Mice and Men. 

I Held My Breath as Long as I Could

I Held My Breath as Long as I Could

Because I love October and love the fall and love giving my book away for free, for the next five days, I Held My Breath as Long as I Could is free on Amazon. If you haven’t already picked up a copy, now’s your chance.

I Held My Breath as Long as I Could is my attempt to put together the least marketable collection anyone has ever seen. It’s got flash fiction in between longer, more substantial pieces (I was thinking of the book as a meal with lots of courses and lots of side dishes). It’s got nonfiction personal stories slammed up against absurdist vignettes that make no sense to anyone other than perhaps me and David Lynch. It’s got funny stories, horrifying stories, stories that’ll make you think I’m a giant asshole — really, I practically guarantee you will love at least one story and absolutely hate at least one other one.

In other words, it’s the horror-collection equivalent of putting the collected works of Frank Zappa on shuffle — by which I mean, it’s a great goddamn time.

I suppose you’re right. I mean, now that slavery’s been outlawed, people of all colors seeking domesticated dependents over which they can have total control must resort to something. Why not get a pet? Don’t I know that I’m missing out on a complete life? Don’t I know that not having a pet marks me as a cold-hearted, animal-hating Cruella?

Well, yes, I suppose you’ve pegged me. Why not, indeed, but for my hatred of innocence and all things cuddly and/or quadrupedal. But allow me, for a second, to explain my misgivings.

First off, while I could take the easy road and attack pet owners for being lonely people in desperate need of the unconditional love a pet can provide and which the pet owner cannot manage to elicit from the world at large, I don’t see anything inherently wrong with this phenomenon. If it really were about finding something to love that would love you back—well, so be it. But pet ownership isn’t about love; pet ownership is about power. (See: pet ownership)

Pets are quasi-human creatures valued for their ability to seem human while never developing beyond a kind of infant-like state out of which no revolution can ever be born. They are, in other words, sort of human but always less than human. An abused dog never has a chance of overthrowing its cruel master. It must suffer its abuse and at best take its frustrations out on things less likely to bite back: the mailman, passing children, and creatures generally smaller than itself.

The infant-like state of pets keeps their psychology simple, and allows every would-be master to feel superior to their trained beasts. As companions, pets are the equivalent of friends dumber than you; they will never challenge you and tell you that you are wrong, and you will always feel clever by comparison.

Further evidence of the power dynamics inherent in pet ownership is exposed through an examination of just how thoroughly being a “pet” requires the full subversion of the otherwise natural tendencies of the creature possessed. Dogs are collared, muzzled, and leashed; fish are sequestered in a small tank and made to stay relatively put; and birds? They get it worst of all. Caged and completely denied their most basic form of motion–only future veal could say it has it worse! Cats get off pretty easy, and cats may therefore be the one unmasterable pet—although their prissy arrogance has always created a certain amount of distrust between humans and felines. I have no doubt that if cats grew to the size of mountain lions, they would eat us all.

Moreover, pets are animals torn from a world in which they would be able to exist naturally and placed in a world in which they absolutely cannot function without the constant attention of a human master. This environment of enforced, isolated dependency is common in situations of domestic violence, indentured servitude, and prostitution, where people are forced through various means to do what they are told because they need something that they can now only get from the person telling them what to do. The only way a pet is ever getting out of this situation is to slip out into the street and get plastered by a bus, or start scrounging for scraps and rats with the diseased mutts in the alley.

A lot of effort goes into the maintenance of a pet, but what are the rewards? Well, you get something that is more or less happy to have you around, but eventually this gets kind of old. Face it: you will never want to play with your dog as much as your dog will want to play with you. And even if you don’t mind the inconvenience and believe that you are a very nice animal-slave-owner and that your little dumb furry slave loves you—even if all of that is true, there is still the fundamental truth that you will let your pet down. You will disappoint it, because a pet is a prisoner—your prisoner—but it has been made to love you, and love you it does. You are the most important thing in its world, but this feeling is something you will never be able to reciprocate simply because of the fact that for you, the pet is a peripheral entity—a side benefit that you enjoy visiting with now and then. Eventually, the pet’s continued entreaties for attention will grow annoying, because you’ve seen all the animal’s tricks before and you’re kind of bored. Or maybe you just have something else to do that’s more important than an unending game of Fetch the Nasty. In the end, there is hardly a better way to give yourself a guilty conscience than have some sorry animal neglected in your home that loves you more than you’ll ever love it.

Children are ultimately more satisfying, because eventually they grow out of diapers, start talking, and start changing into strange creatures you can no longer train to roll over and play dead. Pets don’t change; no pet will ever become smart enough to get a job and pay for its own Purina.

Owning pets is the privilege of the dominant race. Having subservient creatures in every household (no matter how small) is another way we show our hegemony to the rest of the natural world.

But you’re right. Sounds like I’m missing out.

The Wind Through the Keyhole: A Dark Tower Novel
The Wind Through the Keyhole: A Dark Tower Novel by Stephen King
My rating: 3 of 5 stars

This book essentially contains two nested novellas, wrapped within an interlude with our favorite ka-tet. All three stories pivot on a starkblast, which is a powerfully cold storm that causes trees to implode from the sudden drop in temperature.

The books stays true to the narrative nature of the other Dark Tower books–so much so that I can’t imagine how frustrated I would have been to have read this is in sequence after Wizard and Glass, which is itself another storytelling hour from Roland.

I also think that nesting the stories provided few returns and was ultimately irritating. Halfway through each tale, King fires up the next one, and it breaks the narrative flow. Humorously enough, this book started me on a vicious round of starting books and not finishing them. I’ve had about a dozen going lately.

But though I put this book down for months, I’m glad I returned to it. The conclusions to the stories were evocative, and as a Dark Tower fan I was rewarded with some emotional moments centered on Roland when we find out who the whole thing is about. It was mature and rather subtle sleight of hand.

Overall, a well-written gem with a frustrating structure, a nice addition to the Dark Tower cycle. I hope it’s not the last.

View all my reviews

Abraham Road cover art

Abraham Road … coming later ….

The good news is that Abraham Road is in great shape. I am the worst judge of my own work, but early reader reaction suggests this short little book could be one of the coolest stories I’ve written.

I know I like it a lot. I’ve had some ups and downs with it over the last few months, but right now I’m pleased every time I go back to it.

The bad news is that I’ve decided to try and actually see what would happen if I submitted this story a few places. I’d love it if I could place it somewhere an editor might give it a look and fix it up. I’m sure there are ways it could be improved that I’m not seeing. No doubt, a writer is always too close to the work to see it best.

I have three places in mind (the market being rather limited for a piece which right now clocks in at 24,400 words). Combined rejection time for all of them: probably roughly four months.

And here I was, hovering over the ‘save and publish’ button on Amazon.com this past Sunday night. I talked myself out of it, and it was a good decision (found some typos in the morning! yeah!), but it hurts me and really tests the limits of my patience to have a real winner of a story ready to go that I can’t let anyone see.

Thinking about the long four months ahead of gathering enough rejection letters to justify self-publishing again … just makes me sad. It’s why I gave up submitting pieces to begin with — I don’t like having to wait for someone to tell me they don’t like what I wrote. Disappointment shouldn’t be so boring and time-consuming.

That’s why I love McSweeney’s and The Atlantic so much: one week response time! Got another rejection from McSweeney’s this week, in fact. Always makes my day.

Anyway, I believe this choice is the right one.

We’ll see if I can actually go through with it, though, or if I spaz out halfway through October and hit that damnable publish button.

This summer, I submitted a new short story, “Variable,” for the How Stuff Works writing contest. Of the 104 valid submissions, “Variable” was selected as one of the sixteen stories to go head-to-head in a bracket-style competition. It’s naturally my hope that you’ll all go and vote for “Variable,” but really — you should just go and check out the stories and vote for whichever you feel is best.

Here’s the link: http://blogs.howstuffworks.com/2012/09/09/read-the-sweet-16-horror-fiction-contest-entries-here-2/

Many thanks for those who take the time to vote!

Frank's World
Frank’s World by George Mangels

My rating: 5 of 5 stars

“Frank wasn’t born: he escaped from somewhere else … “

George Mangels quickly became a bit of a mysterious legend to me: a cab driver who appeared out of nowhere and dropped a one-sentence-long rant about the world (told from the point of view of someone embodied by the spirit of Frank Booth, otherwise known as the character played by Dennis Hopper in Blue Velvet) on the doorstep of literature and then vanished to Mount Shasta–a place not entirely without its own sense of mystery, being the last known residence of the mythological Lemurian race (referenced in the book).

His vocabulary is off the charts. I study word use in the books I read, and this man’s work stands alongside heavyweights like David Foster Wallace, Thomas Pynchon, and Don DeLillo. Published in 1995, Mangels has long been struggling to find a publisher for the follow-up, which he tells me is called Franksegesis, in an apparent nod to Philip K. Dick. I hope he finds a publisher. I’d love to see what the last seventeen years have done to this man’s mind.

“no, one cannot return CHILDREN–God does not give receipts”

The book’s also incredibly funny and smart. It’s seemingly out-of-print now, but you can find it in used bookstores, or on Amazon via some resellers. I bought a first edition online and sent it to Mr. Mangels, who was gracious enough to sign my copy.

“DOES A COW KNOW THAT IT BIRTHS BUTTER AND THAT ITS SACRED JUICES WILL BE SPREAD UPON SLICES OF SCORCHED, COMPRESSED GRAIN?”

Yes, to passages like the above. Yes, to this whole book, which attacks the brain with great wit and literary accomplishment.

“… amber waves of situation comedy rippling outward in every direction … “

Sure, it can be a lot to take–the book is not an “easy” read–but savoring it can be a real joy.

Frank is a force in the world, and he traumatizes people, but the trauma he inflicts is often quite psychological. So much so that the true effect spills out for years, and Mangels has a real gift for writing about what happens to his characters after they run into Frank. At times, these passages can be quite beautiful and heartbreaking.

You should read this book for the description of Mister Ed alone:

“…Mister Ed, the vehicle that transcends three dimensions and sails beyond space, existing and living forever, teaching through millions of box-lips at once, transcending time, living the hipster sunglasses-at-night horse good life throughout time, throughout space, roaming the eternity that is syndication, a transdimensional consciousness wedging its way outwards through the spaces between worlds and into eternity … hell, Mister Ed is ALWAYS and EVERYWHERE…”

The trouble with reading passages like these is that they made my own writing feel dreadfully boring.

Seek this book out. It’s a treasure: earnest and energetic, fully committed to getting into your head and trying to say something worth hearing in some of the best passages I’ve read.

Finding and reading this book was one of the highlights of the year.

I’ve been holding off on this review, because I feel like I should say more, but I have nothing more to say:

I loved this book.

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I originally found out about this game from Kotaku. Since then, I’ve downloaded the game, played it maybe six or seven times, each time for probably less than ten minutes before screaming, getting chills, ripping my headphones off, and stepping away from my computer.

It’s a free game. You can download it right now and try it yourself.

The creator, AgentParsec, says via YouTube: “I didn’t expect this to be popular; I made it for practice so I could learn Unity, and was only really intending to post it to a few forums I frequent.”

Sometimes, beautiful things are created by accident. The game’s modest design works in its favor. Sometimes, the simpler you make your horror story, the scarier it becomes. I even like how when you die, the game just flat-out quits. No ‘play again’. No ‘new game’. Just blip. You’re done. Like not only did the Slenderman get you, he fucked with your computer, too.

Honestly, Slender may well be the scariest game I’ve ever played — and I’ve played a lot of horror games. Resident Evil, Silent Hill, Dead Space–all are great series with a lot of great scares, but nothing so far has been this effective from the very first seconds.

You have a flashlight. The batteries will run out, so you should shut it off when you can. You’re in the woods and need to collect eight pages, scattered around the area. You’d better keeping moving, though. He follows you. And he’s fast. I don’t know if he walks. It seems to me more that he jumps forward once you spot him.

Be careful, though … his blank white face can look a lot like a page from twenty feet away.

I have yet to collect more than three pages. The first one is easy, usually. After that, he starts to come after you.

It’s funny how many of my rules for horror this game follows: it’s really hard to win, making the bad guy pretty lethal and dropping a serious feeling of doom over the proceedings; there are no cops, no guns, no monologuing villains (in fact, there’s no dialogue at all); and atmosphere? It has that in spades, but it doesn’t overdo it.

If you like being scared shitless, try playing this game. It’s an amazing testament to the power of independent games.

love it.

Now I’m going to have to go try it again …

(fuck you, Slenderman, those pages are MINE!)