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Author Archives: Kristopher Kelly

keyboardYes, yes, I made my words, but want to know what I’m really fired up about? The fact that elephants can swim sometimes up to 48km across the ocean! I’m actually blown away by this little fact, and it fills me with a lot of joy to think about these large, dusty animals (which, really, I do picture as being perpetually thirsty) swimming free.

Love it. Thanks to Ricky Gervais’s stand-up routine Out of England for the heads-up on that one.

In other news, I also love streaming MLB.tv through my PS3, which has allowed me to watch a whole bunch of Red Sox baseball over the last few days. It feels right, you know? Watching the Red Sox and writing my horror novel. Stephen King would be so proud of me.

Tomorrow comes early.

KeyboardWell, I’m not entirely sure that having the ability to watch all the Red Sox games I want to helps my writing, but I was able to get another scene onto the page. It has the semblance of a dramatic form, too, but I don’t know … might be time to re-read and see how the whole thing feels. Sometimes, it can be hard to draw the emotional arcs of my characters day-to-day, especially if I’ve left them for a a couple scenes or so.

But hey–it’s all progress. All my main characters have now been briefed on the main thrust of the plot, which is just great. But I’m sneaky in that I’ve structured the story a bit bizarrely. Correct for the story, but you won’t maybe understand that entirely until you get to the end.

Or something. Blah, blah, blah.

It’s time to go watch Nightmare on Elm Street with the roommates. I’m done with the writing life for today.

Bridge and MetalIt wasn’t so bad, being in a cage with a monkey. The monkey was curious, but as far as roommates went he was very considerate. There was very little feces-flinging, and he was as decent a listener as Meredith had found.

Outside, it was raining, and their only visitor was a lone, ugly child with blond hair and a sour face, who wore a blue raincoat and sucked a red lollipop, sucking it right at them, staring, waiting, and yet unimpressed.

Eventually, the little girl’s mother called out her name, and the girl vanished, running to join the rest of the crowd eating sausages beneath the protective shield of a nearby bridge.

“I certainly never thought this would happen,” Meredith said. The monkey was picking at his fur in the corner away from where he’d shat a moment ago. “I don’t suppose you did, either,” she said.

The monkey looked up.

“No, I thought not,” she said. “No one expects this. Not in a million years, but life is strange.”

The monkey bared his teeth at her. She took this as him trying to smile, trying to cheer her up.

“I know, but you never expect this when you’re just going along, doing what the boss tells you to do, you know? They definitely don’t prepare you for this in college.”

The money laughed.

“Right?” she said. “I mean … I thought this was going to be a good job. Now look at me: in a cage, smelling monkey shit all day.”

He turned away, and she thought perhaps she’d gone too far. She didn’t want to insult him. He really wasn’t all that bad.

So she added: “Well, I suppose it could always be worse, right? I could’ve been a corporate lawyer.”

Faht came in, and everyone was laughing.

Ok, so maybe the purple pimp hat was a bad idea, he thought. The trouble with John Faht was that not only was he intensely serious about silly things, but he had the ability to see himself behaving this way and know just how much he looked like an ass. One might wonder: If he could see all this, couldn’t he change? But no. No matter how much time went by, Faht stayed the same.

Oh, poor Faht. He was a truly miserable and lost soul.

But he walked into that conference room bravely, and took off the purple pimp hat and set it on the table with a smile for everyone who was there making fun of him. Yes, this was the life of John Faht. This was how it went, day in, day out.

Sometimes it seemed that everything was just one big Faht.

keyboard… annnnnnnd, still alive!

Know what the great thing about a 500-word-a-day quota is? I’ll tell you: It’s that if you miss a day, it is remarkably easy to make up the deficit.

(Of course, if you miss a whole series of days, that’s a different story; I’m still averaging only around 220-words-a-day since I started this venture.)

Soooooo … Yes. I missed yesterday to write a silly fucking post about video games as art, because that’s more important than Daukherville, clearly.

I was trying to get Roger Ebert to re-tweet my shit in order to increase exposure to this blog. I admit it. Well … that’ll learn me. Today, I was back at the keys, pounding out the novel again. Verdict: It was far more rewarding.

No one–fucking no one–was interested in yesterday’s piece.

*Sigh*

On a positive note … Make an iTunes ‘genius’ playlist from Nirvana’s “About a Girl.” I did, and it’s playing right now, and it’s an amazing playlist.

Do I feel awesome for having a day full of work, presentations, Spanish class, grocery shopping, roommate hanging out, and STILL finding a way to make today’s quota while picking up the slack for yesterday?

Hells yeah. I feel awesome.

Today, I go to bed an accomplished man.

(… or, Why I’m Not Getting Off Roger Ebert’s Lawn)

Real avatars

Now, those are what I call avatars!

Roger Ebert, who posts on Twitter almost as often as Tila Tequila, still can’t help but seem like a bit of an old curmudgeon sometimes, and his crusty views never sound crustier than when it comes to his opinions on video games. A recent blog entry recently ignited fresh debate about whether video games can ever be art, and if it even matters.

Let me first deal with the pesky view that the whole debate is foolish. There are a lot of people who work on a lot of art, and, yes, it is insulting to tell them that what they are doing isn’t art. Such a claim brushes off their creations as inconsequential ephemera, and no one working hard at something wants to think that the finished work will be nothing more than tomorrow’s landfill filler. I wonder if it would bother Mr. Ebert to think of his reviews as little more than throwaway, parasitic advertisements, clinging to literary life like barnacles on the bottom of the more illustrious vessel of modern cinema. I wonder if he would take issue with the idea that what he does could never be art.

If I were him, I would definitely want to believe that movie reviews could be art, and I would do everything I could do to fight the perception that I was a vulture of the creative profession.

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oceanThe storm came across the water, a wall of rain pushing toward shore and obscuring everything beyond it. Soon, it swept across the yard and hammered the large, glass windows.

Will took another sip of his tonic water and orange juice cocktail and welcomed the sound of the precipitation. Yesterday had been sunny, and that hadn’t seemed right. Not for a day when so much had gone wrong. This was better. At least now, the weather was matching his mood.

He sat down in his green armchair and looked at the stuff of his life: the handmade Turkish rug, the coffee table they’d made together out of an old door and a pane of glass, the series of monoliths comprising the home entertainment center, all of them quiet now, powered off.

Why wasn’t he drinking yet? He’d always imagined that if Mary died, he’d start drinking again, yet here he was, sitting alone with a non-alcoholic drink in his hand. Was it hope–some idiotic idea that she might come walking back in the door?

She’s gone, pal, he thought to himself. I don’t know what you’re waiting for.

But he’d done nothing. He’d prepared food, he’d eaten, he’d slept. But he hadn’t turned on the television, opened a book, or played any music since yesterday morning. He sat and stared. A day had passed. He continued to sit and stare, numb and frozen as the storm intensified, shaking his house, and his house withstood it,

staying right where it was.

Redlaw… And Redlaw just got a shout-out!

That’s right, I’m not even going to bother changing its name, even if I admit to dressing it up ever-so-slightly.

But the family hunting cabin is going to be featured as a secret stronghold for my good guys. And do I feel ashamed that I’m ripping off real life and a real place name?

Hell no. Redlaw is awesome. Always has been, always will be. I already used it once in “The Field,” why not use it in my magnum opus?

In other news, I fought the Tuesday night trivia shuffle and got not only my night words in (and then some!), but also my Ten-Minute Write, as well as this little post.

I hope I can keep this up. I hope it’s not too much for me. I hope it’s what it feels like: that I’m just energized, in the zone, and doing everything right.

That old familiar feeling of ‘just one more sentence…’ is starting to creep back … Like I can’t pull my head back out of that world….

Office“That wasn’t what I meant at all, John.”

“It wasn’t?”

“No, it wasn’t!”

“Well, what did you mean, then?”

“I want a program like this, but I don’t want this one, you understand?”

“How am I supposed to do that?”

“Don’t make me smack you.”

“But how am I supposed to do it? This is exactly what you want, by your own definition. What would be wrong with just using this one?”

“I don’t like the instructor, ok? Her e-mail grammar is atrocious.”

“Her e-mail grammar?”

“Her fucking e-mail grammar!”

John sighed. “She made a mistake. You should give her a second chance. Besides, why does a spin instructor need to be a good grammarian?”

His boss shook his head, swiveled in his chair, and stared out the window. He steepled his fingers. “I try so goddamn hard.”

“What were you e-mailing your spin instructor?”

“She asked me out.”

“Really?”

“Fine, I asked her out. That’s not against the rules, is it?”

“No, that’s fine.”

“Well, it’s not. She turned me down, and now I can’t go back there. She’s hot. Hot as hell. But I can’t go back there. Just another hot woman I’ll probably never see again.”

“You make it sound like such a tragedy.”

“It is a fucking tragedy.”

“What did she screw up?”

“What?”

“Grammatically. What did she screw up?”

“Oh. She wrote that I was a nice guy,” his boss said. “I mean, she wrote, ‘Ben, I think your a really nice guy.’ You know, with the, what do you call it?”

“Oh, the possessive instead of the contraction?”

“Exactly.”

John grimaced. “That’s awful.”

His boss shook his head. “I know, right? So bad.”

KeyboardEarly morning dispatch, since I was too tired to post last night when I finished, but yes–I made my words.

If I hadn’t had this blog (which no one is really watching yet, but still, it feels like an honest place) or a daily quota, I think I would have frozen where I was in the story. I like to try to park downhill at the end of the day, so beginning the process the next day will be easier. Well, I stopped in the middle of something, but it was in the middle of garbage. Total phoniness, and it was a downer to come back to that.

Let me see if I can explain a little more without talking too directly about the plot.

There’s this habit of all writers I think to get characters in a jam to ramp up the tension without having any idea how to get them out of it. Then, because you do, as a writer, have absolute control, you sort of … I dunno … fudge your way through it. Maybe you don’t directly introduce a deus ex machina (although I almost did before I slapped my own knuckles), but you do start piling on the little lucky breaks for your character.

All I can say is: bleck. It’s a hideous habit, but at least now I can eventually go back and rewrite some of it to layer in reasons why my character would be able to escape at such a time. I’ll think of something, and I’ll work backward, because it was ugly.

This is what I mean when I say the reality of a story is slipping. I mean I’m doing things that I feel at the time are cheating.

Also, it was fisticuffs time in my story. Yes, that’s right. I had cops, guns, henchmen (and holy hell did they suffer from Henchmen Syndrome, where they were the ones who were there to screw the whole thing up; the only thing henchman seem good at is taking the fall (for the hero winning the fight, that is) and allowing the bad guy to retain some semblance of competence), and fisticuffs in my horror novel! Poor fucking form indeed, but you have to trust me … This is how the story must be. For better or worse, this is the novel I’m writing, and if I didn’t have all this stuff, it would be even more fake.

But I fought through all that stuff and went on to write two very emotional scenes that I hadn’t even really been expecting to be so effective. After so much bland plot and action nonsense, there is was:

Real fucking story at the end of the day.

And I wouldn’t have gotten there without the push of a daily quota. Probably would have languished in the bad feelings of the bullshit plot for another month or two, because I’d broken the story and didn’t know how to pick up the thread of it again.

Glad I forced myself to face the page. Most important thing is to just keep writing. Bad day, good day … Keep writing.