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keyboardMaybe it was the talking about how lousy the writing went yesterday, or maybe it was the jog I went on today (my first in probably almost a year; I’m really out of shape), or maybe it was the great dinner I had with Amanda, but the words came easily today.

I’m gearing up for the big mid-point of the story, too, so that’s a whole bunch of fun. Also, in previous drafts only one major event happened at this point in the story. I’m ramping it up this time around: no less than three major events are about to happen simultaneously. It is going to blow some doors off some hinges, I hope.

We’re going to welcome the halfway point in Daukherville with a mighty sequence of terrible events, and I can’t wait to write it!

Milk JugWhen the milk started talking to him, Tim didn’t know how to respond.

“YOU SHOULDN’T EAT DAIRY! DAIRY PRODUCTS OF ANY KIND WILL KILL YOU, TIM. I AM ONLY TRYING TO HELP!”

He looked at the gallon jug of milk in his hand. He checked the expiration date: June 15, 2010. Still good. He tilted it back and forth slowly, as if it were a particularly delicate Christmas present, or maybe a bomb, and he felt something slide heavily within the milk.

With shocking force, the forms of two gnarled claws slammed against the plastic halfway down the jug. “YOU ALSO SHOULDN’T SHAKE MILK BEFORE SERVING! I AM ONLY TRYING TO HELP YOU … IDIOT!”

Tim screamed and half-dropped, half-threw the jug at the counter in front of him. It was two-thirds full, and so he couldn’t see the thing inside once it retreated back into the white murk. He could only see the disturbance of the milk itself, frothy and choppy in the jug, as the creature within resettled.

“W-w-what? Is … are you … I mean, what’s … ?” Tim was at a loss. How was he supposed to interact with a milk jug that shouted at him? “Have I gone insane?” he asked quietly.

“OH, FOR THE LOVE OF CHRIST!” the milk shouted. “NO, YOU HAVE NOT GONE INSANE! YOU ARE THE MOST BORINGLY SANE PERSON WHO HAS EVER LIVED! THAT IS WHY I AM HERE: BECAUSE YOU ARE A BORE! TO EVERYONE AND EVERYTHING. I AM HERE TO HELP. YOU CAN CALL ME REX.”

“Rex,” Tim said. “Okay. I’m … Tim.”

“I KNOW WHO YOU ARE! JESUS! I ALREADY SAID YOUR NAME NOT SIXTY SECONDS AGO! IDIOT! ARE YOU ALWAYS GOING TO MAKE IT THIS DIFFICULT FOR ME TO HELP YOU?”

“Well, I don’t–I mean, I’m not sure,” Tim said. “I didn’t even know I, you know, needed any help.”

“WHY WOULD I BE HERE IF YOU WEREN’T A MAN WITH PROBLEMS?” Rex said. “GET YOUR HEAD IN THE GAME, TIM! YOU NEED HELP, AND I AM HERE TO PROVIDE IT! TA-FUCKIN’-DA, THE DOCTOR IS IN, BITCH!”

Tim fidgeted. It was all so troubling. He stared at the jug, blinked, and chewed the edge of his thumbnail. “But,” he mumbled, his mouth full of dirty keratin, “what if I don’t, you know … want your help?”

The creature flung itself forward and its gray-brown, furry, cat-like face pressed against the plastic, pushing away the milk and revealing its brain-melting monstrosity.

“THEN WE ARE GOING TO HAVE PROBLEMS, TIM!” it screamed. “WE’RE GOING TO HAVE BIG, BIG PROBLEMS!”

And then Rex laughed a horrible, terrifying laugh, and it started to occur to Tim that maybe the fiendish creature wasn’t there to help him after all.

“POUR SOME HERSHEY’S IN HERE!” Rex said. “MAKE ME CHOCOLATE! THEN, AH-HAH-HAH-HAH-HAH, LET THE HELPING BEGIN!”

Emu StationWhat a horrible day of writing. It took so much to get the words going tonight. I was staring at the first two sentences of the day forever.

So let’s examine: Why did I hate it? I hated it because it was not very dramatic exposition. It was flat. It sits there now, unfinished, just staring at me and waiting for me to go back to it. It cackles. It’s insane. It knows itself for the shitty writing that it is.

So why do it at all? Well, I’ll tell you: I do it because it seemed like a fairly logical thing to do, and also because I need to clarify the history for myself again. When did the things that happened in the past happen? What is the exact sequence of events. Likely, it will all be edited out of the final draft, but I wrote it because I myself have to get it down and start making some of the elusive bits more real.

I’m also facing a strange challenge with respect to the backstory: a lot of the history needs to have happened at specific times, so do I slap a year on the present-day events? I think I have to. But which year do I choose? Do I choose 2010, because that’s this year, or do I choose 2012 …

Wait a minute. 2012 could work. I could make fun of the Mayan calendar. It’s not a bad year to set the story in, considering I thought I’d lost all sorts of cred when I lost the ability to set it around the year 2000. But 2012 could be even better.

Or not. I don’t know. Bottom line is: I couldn’t get going, I forced myself to do it, it’s definitely crappy writing, but it’s still writing.

So there.

rainy roadDriving back was always the worst part for George. Laura always cried, and it wore on his nerves. That day, coming back from Portland, the rain was oppressive, gray, and suffocating in the summer heat. Trapped in the car with his sobbing wife, George struggled to find NPR’s Global News report interesting.

Peter and Sarah were in the back, playing on their game systems as was the usual. Laura was staring out the window with her finger in the middle of a book she had already confessed to him made her feel stupid. By the look of things, she hadn’t made it more than twenty pages into it. Not that he wanted to read it, anyway–it looked like something she’d heard about on The Daily Show.

There was definitely something unseemly about his wife’s infatuation with Jon Stewart. Buying books she never read was bad enough, but she’d taken three separate vacations to New York just to go to his show (a show which, if he had to be honest, George found more than a little tedious).

The Global News was over, and he hadn’t retained a single thing. Marketplace came on. Why did he always have to try and listen to things he didn’t really like? After all this time, who did he think he was kidding?

“Did you put that hold on the new Dan Brown?” he asked her.

“Ugh,” she replied. “You really want to read that?”

He shrugged. “I liked Angels and Demons.

“You have terrible taste.”

“Says the woman who never makes it more than thirty pages into anything,” he said. “Fine, though. Forget it. I’ll just buy it from the bookstore.”

She shook her head and defiantly reopened the book she’d been fingering for the whole ride. She lasted about four minutes.

She leaned her head back, closed her eyes, and sighed. “God,” she said, “do you ever wish you had a better brain?”

“All the time,” he said.

keyboardToday I got a belated birthday gift from my girl Amanda: It’s a Daukherville t-shirt, black with white lettering, and it is badass. I love it, and I’m wearing it now. On the back, she’s quoted one of my characters:

I have run away with the circus.
— J.S. 6/21/78

(That’s 1878 for those not in the know.)

So yeah, I guess I felt a little spurred on by the shirt. That, and today I wrote about two very strange-looking people having a face-to-face in a hospital. I’m pretty sure I’ll beef it up later, but the initial pass is pretty fun.

Now I’m going to try to do a Ten-Minute Write. Why? Because they’re fun, and I don’t do them as often as I should.

Emu Station…Yep, I missed four days. After all my good work, four days of nothing. That’s how I am, I guess. Do good for a while, and then slack it up.

In fairness, I was out of town for three days doing fun stuff. No time to write. Isn’t that what they all say?

Deficits, deficits … and more deficits.

This is not the way to turn my daily average around!

dark blackThe following day, we kept the shades drawn. Dim light crept around the edge of the yellow plastic. We cowered, our nerves still raw from the terror of the previous night, until Gretchen got too hungry to stand it anymore and went to the door.

I couldn’t shake the thought of the door rattling and cracking during the worst of the night’s gusts. None of us knew just how the phantoms worked, but they were in the wind somehow–we knew that much–and if the wind hit you, you’d be convulsing and transforming into a monster within seconds.

Gretchen moved the pale blue towel we’d used to block the crack between the floor and the bottom of the door. I didn’t like seeing the daylight there; I felt so vulnerable. If I could see out, they could get in.

Same with the windows. Those thin slivers of light worried me.

Gretchen looked back at us guiltily. “We have to find something to eat. We can’t just cower in here forever.”

Penny drew closer to me and pressed her mouth against my ribs.

“Just hurry,” I said.

Gretchen put her hand firmly on the brass knob.

We waited for her to open the door and face whatever was out there.

keyboardBOOM! Day #6, in a row, with a vengeance. Eventually, I will make up for this horrible deficit. Today, though, I’ve officially put my average daily word count over 250 words.

So there. I’m a champ.

This weekend reminds me: I’m on page 134 of my novel (single-spaced, too–the way the lunatics write). A long time ago, when I wrote my first novel, I was on page 144 on my birthday. By July 3rd, I had finished the novel, and it clocked in at a still-unsurpassed 371 pages. I was a sophomore in high school, and I really can’t imagine how I did that. Nearly 20 years later, I’m just a shell of my former self.

Then again, in those days, I could really retreat in my head for entire nights. No distractions, no TV shows on the DVR, no PS3 with fun games to play.

So it goes. I’m writing again, whatever the speed. (Which is not to say I won’t try to hit page 144 by the end of Monday … you know, for fun…)

Emu Station

The pages stack up ...

That’s five days in a row, my friends. Five in a row. Boom. To put this in perspective, my average number of days in a row since I started this project (back on October 11, 2009) is probably about two. My record is ten, and I’ve only been above 5 in a row twice. This is the third time in over seven months that I’ve made my daily goal this many days in a row. My overall average daily word count is 248 words. Pretty shameful stuff.

(Thanks to Amanda for the stats.)

Had great zombie-themed nightmares all last night. I think Hit Girl was in them, kicking zombie ass. It was pretty fun. As a result, I feel pretty good today.

Oh, man! Look at the ambition. But hey, it’s still better than missing a day, right?

Got the Thursday night shuffle coming up next, and so good luck with all of that. Bwa ha ha ha.

Anyway, I’m feeling like the story is spinning its tires and maybe it needs a little something, but I’ve got this locked-in sense. I don’t know how to make the next turn without it seeming repetitive. Hmmmm … Gonna have to think of something.

Is it shameful to dress up a story with a meaningless action segment?

Or no … I know what I can do. Nevermind. This is gonna be good.

See you in another five hundred words or so …