Archive

Author Archives: Kristopher Kelly

When my girlfriend and I were on a cruise recently, I couldn’t help but think in a few odd moments here and there what it had been like the last time I was on such a boat: same company (Royal Caribbean), same cafeteria name (the Windjammer, or the Jammer or just the Jam, as we called it now in cheerfully derisive, husky voices), and even more to the point: we’d signed up for the handicap room because we thought it would be a little bigger than the standard-issue shoebox-sized staterooms on the boat. Amanda couldn’t have been expected to know how strongly I would associate hand rails in the bathroom with my ex-wife’s father Chip, who had been dying of ALS (otherwise known as Lou Gehrig’s disease) for the last six years.

I’d helped to install the bars in my ex-father-in-law’s basement when the first of his muscles started to deteriorate. When he stopped being able to use them, I even helped him onto the toilet myself–dutiful son-in-law that I was. Chip’s illness worked its way up his body, where it would then take its time eating away at his lung capacity until he could no longer breathe. How long this would take was anyone’s guess, but in the three years that I was a witness to it, I saw him go from silver-haired, gangly patriarch ambling around a cruise boat to a man with less than twenty percent lung capacity in a motorized wheelchair that could go up stairs as well as rise up on two wheels to put him eye-level with someone standing in front of him. It was disconcerting to watch at first, but even so, such a wondrous advance in wheelchairs gave us all a false sense of hope in the advances of modern medicine. If a wheelchair could do that, what could drugs do?

Before getting divorced from his daughter, I started playing chess with him online. I thought it would be nice to play chess (he was a smart man), and it could give him something to do while he rolled around in the chair. After the divorce, I didn’t know how to stop (my ex and I parted on decent terms, even if we’ve long since ceased communicating for the benefit of everyone involved), so I continued to play. I was afraid that if I did stop playing, he would die. When I was on the cruise, I was nervous because I didn’t have any internet access at all, and that meant seven or more days without making a move. I told myself I was being ridiculous and that it was a foolish superstition.

I came back from the cruise, and he was still playing. He asked me how it was, and I told him it was fine. I felt a little guilty, since the reason I’d gone on my first cruise was because he’d wanted to take the family. He’d known then that he had ALS, and he wanted to travel as much as possible before it ate him up. Now I had returned from a second cruise with someone who was not his daughter, and he was in a wheelchair unable to walk out his own front door.

Not to mention that cruises, in general, make me feel guilty and spoiled.

We played for another week, and I started to lose. He made some great moves, and soon he had a bishop’s advantage on me and pawns within easy range of promotion. I was going down; there was little I could do. I usually won our chess games, but he had this one in his pocket. He brought his king around to back up his bishop. With nothing but my kings and a few pawns left, I moved my king to start an assault that would prove fruitless. I waited for him to advance his pawns on the other side of the board and promote one of them to a queen and finish me off.

Except three days later, I was still waiting for his next move. We generally moved four or five times a day. It was a telling silence. When I did a Google search and found his obituary, I was not surprised.

He was 64 years old. His last move was King to E1. Above is a screenshot of the actual board as it was left. A part of me wants the resolution of a finished game, but no–this is how things really are. There is no better, more perfect depiction of death than that of a game left unfinished, the mind that made the moves as coherent as ever within the body that turned against it.

Still, I think it’s clear: this one gets called for him by any objective judge.

Chip, congratulations; you win this one. Well played. Good game. Rest in peace.

Daukherville Cover Art

Daukherville Cover Art

That’s all. What more is there to say? It’s approx. 170,000 words, which is probably a bit long. It probably needs a lot of additional work, editing, rewriting, and paring down. This is actually probably only the halfway point. But you know what?

I haven’t finished a book since 1996. Not even in draft form, which, let’s be serious, is all I ever write anyway. The book is done. I could pass out copies, and people could read it and get a complete story–beginning, middle, and end.

And I know it’s late, and I’ve just been balling my eyes out as I typed, but sweet baby jeebus, I think this one’s good.

I think it’s really good.

I am so close now. One more night should do it. I have returned from the woods, where I wrote fifty typed pages over five nights. It was a fantastic recalibration, and, like my dad said, “Even if you don’t finish, I think you’ll do good things for the book.”

Maybe so. Once I left the cabin and returned to writing on the laptop, I wrote another 25 pages before getting back to New York City. Yesterday alone, I wrote over 11,000 words.

The end approaches. The question is: is it going to be tonight?

Emu StationI have butterflies. The failure of this book would be more devastating to me than my failed marriage. A few days ago, I found the two-page screenplay treatment that started the whole thing back in the summer of 1995, complete with comments by my scriptwriting instructor (e.g., “WHAT?!? Get serious, please!”). It made me laugh so hard I cried. Amanda read it and asked me, “When did you learn to write? And when did you write this, because it sounds like you were in junior high!” I wasn’t. I was about to be a senior in high school. A few months after writing that loopy two-page story, I wrote essays that got me into Harvard. But what can I say? When it comes to writing, sometimes I’m being purposefully ridiculous. Certainly, this book started as a cosmic joke (girl moves couch and unleashes a giant emu which eats her family). But now?

Now, it actually means something to me. In the past fifteen years, it stopped being a joke to me and became a personal myth that I carry around with me everywhere I go. And this whole process has been a struggle to get it closer to that mythic status while retaining its roots in the depths of absurdity (itself an important part of the story I’m still struggling to tell).

And it’s always when I creep around this corner and step within sight of the conclusion that I lose my nerve and tell myself the draft isn’t good enough and to scrap it and start again.

But not this time. This time, Daukherville will have its ending.

I hope.

Tomorrow, I head to the woods.

Daukherville Cover Art

Daukherville Cover Art

Well, after taking something like nine or ten days off again, I thought the curse was back. You know the one: It’s where I get to this point in the story, lose all faith in it, decide I’ve written it wrong or what have you, and I scrap the whole thing and start again. Only it doesn’t really happen exactly that way–no.

The first step is always just letting it idle for too long. Freeze up. Fail to write. Fail to push myself to get through the next scene. And then eventually it sits for so long that when I return to it, I convince myself there’s no going back into it where I left it, and I decide to start writing again.

Well, here I am again–a few pages beyond the highest page count I ever managed for this book. And I was frozen. Frozen by the idea that now I have to start bringing things to a close. I’ll be heading to the Maine woods at the end of the week to shut myself in a cabin with a typewriter and a few bottles of Jameson to do battle with the end of the book in style. This week is going to be a lot about getting myself to that final sequence. This past weekend, I struggled to get started. It was a real battle to get the words moving again. There was a lot of fear and doubt. I ended up actually breaking one of my own rules, going back, and rewriting two pages just to shut some of the criticisms in my head up.

Then I had a record day yesterday. 5000+ words.

Only 39,000 projected words to go. This is the most dangerous part of the climb.

keyboard… Well, sort of done. I was really excited last night about finishing Part 3. It seemed so good in my head, so perfect … until I read it again today and realized I’d done a really skimpy job on the last few pages. Reads like a bad screenplay.

Booooooooooooo!

Sigh. It needs work, just like everything else. I’m so frustrated and scared, actually–that’s right, I said it–that I’m not good enough a writer to be in charge of this story. Someone more talented than me should have written it.

It’s raining. I put too much water in my noodles.

Emu StationI’ll admit it; I’d lost the urge to write these daily posts. I’d lost faith that anyone was reading. But you know what? It doesn’t make a difference. I’m here to write. I’m here to tell you how it’s going, and so … It’s going. I’ve been writing every day for over a week now. Probably in record-breaking territory. I’ll get back to you on that one.

I’m officially changing the date of completion of this draft to August 6, 2010. I’ll be spending that last week in a cabin in the woods, finishing my book on a typewriter, if you can believe that! The mission for the rest of July is to get everything but the last eighth of the novel done–pretty much everything but the end.

So how am I feeling about the book these days? Eh. Not great. I dunno. I’m in too deep! I don’t know if this book is any good. I’m probably the worst judge of its quality right now.

Just keep on typing, right?

Emu StationJust wanted to let you all (haha) know that I’m still writing, still fighting the good fight, still on track, but just slow to update. I don’t really know what to say here, so I’ve been lazy. But I have been progressing.

I watched Hellraiser again. I love that film. Apart from a goofy final ten minutes and some embarrassing slow motion shots (with slowed-down dialogue, to boot!), it is a pretty damn near perfect horror film. Clive Barker really has put some amazing stuff out there. I don’t think the S&M-style horror of Saw would be around today if Barker wasn’t such a talented guy. Read the introduction to the 2002 version of The Damnation Game, and it really made it sound like Barker was trying not to just be another Stephen King clone. Good for him. I know that, in the end, if Daukherville is ever published, the comparisons to King will be all over the place. I accept this, and I believe that it would be disingenuous of me not to own up to my roots. At the same time, I have mad respect for people with strong identities and unique visions.

But then I look at my title up there. I look at that word: Daukherville. It’s really cool. I’ve come up with a lot of lousy place names in my time, but Daukherville is not one of them.

On and on we go!

keyboardAnd again! Tonight was  a bit of a departure in that I got to cut loose a bit and write a mini textbook (four pages long, and with pictures!) to explain the nature of the possession in my story.

Because I’m a jerk, I put it right after a huge cliffhanger, too. Perfect place to annoy everyone with boring exposition!

When you have two thousand words of mythology to get out, you’d better have an amusing way to do it.

This book is so much fun to write, it really is. I hope people like it as much as I think they should.

Emu StationThe pages, the pages!

Well, okay, so here’s the deal, I didn’t actually give you a tally for yesterday (something like 500 plus a few) or Sunday (a little over 800), but it’s because I was trying to undo the damage done by a several-day hiatus during which I went to my 10-year College reunion. I know, having a blast and living like a college student in my old dorm isn’t any excuse, but man …

I brought it home tonight.

Part Two of Daukherville is in the tank. For those who want a teaser, the four sections of the book are:

  • Part One: The Hole in the Wall I Called Home
  • Part Two: … And That’s When I Knew I’d Never Be Alone Again
  • Part Three: I Guess No One Ever Told Them Not to Trust a Clown
  • Part Four: Today We’ll All Get to See What Happens Next

Cool, right? I like ’em. Well, after struggling with what amounted to Part One for the last ten or so years, I powered through not only that piece of the story, but I’ve also fought my way back through the second act, as well. As the story develops, I’m getting more and more excited about all the things I’ve planned for the end of the novel. I’ve been thinking and thinking and thinking for years on this one, and now I’m finally get back to the point where I get to put it all to paper again.

And based on the fireworks in the story tonight … it’s going to be a blast to write it all.

I love this fucking story! Goddamn I can’t wait for everyone to read it.

(And even though I’m proud of my output this evening, I want to say that I’m sorry I’ve lapsed on the movie reviews and am inconsistent with my Ten-Minute Writes … but you have to sometimes ignore the bullshit if the real shit is happening, you know? I know you know.)